Friday, March 22, 2019

The Attempts to Present English Art :: English Art Artists England History Essays

The Attempts to Present incline craft Britain had one century of painting. Elie Faures statement summarizes best what critics, art researchers and collectors oasist had the space, the heart or the inspiration to say in their lively attempts to present position Art. WHY? To answer this question we must bind into account more than history and documents, we must evaluate the essence, the soul of the creator, of the English man. Andrew Crawley describes in his book (England), the English people as being deeply conservative.The English men feel, instinctively, that the present is not only the creation of the contemporaries, further also the result of the work of many past generations. For them, everything is related to the past, which, thus, becomes the agate line of the present. The English mans being conservative is only a habit, derived from his deep understanding of reality. His practicable sense, wh ich has been widely acknowledged, must be attributed to this experience he has on reality. This leads to his native ability of adapting and assimilating the new. The English man is c neglectly related to history and he permanently gains interoperable advice from it. This kind of peaceful bonding between a people and its history, during these blowy centuries of fight and rebellion (the XVIIIth and the XIXth centuries), which singles out the British people from the separate European nations, creates an equilibrium which is incompatible with such artistic manifestations as painting. The practical Puritan spirit refuse painting and, when it finally emerges this mentality makes it lose her way. The English soul subordinates the highest aspirations to material necessities. It extends over the Universe the power of causa Bacon gives an immediate and practical purpose to knowledge the merchants organize their own worldly Republic the Round Heads impose on the Republic their ow n unforgiving rules. In this world there is no place for painting the imaginary number world of Shakespeare is enough to satisfy and relax its entire soul.

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