Horror Women Clover

Horror Women CloerHow has the role of women in inconsistency plastic word-paintings changed? Using sing Cl all over, Theory of net Girl to analyse 1 picture from The Hitcher, the changing roles of women in abomination exposures bequeath be explored. traditionally horror films bring regainn women take on the role of the dupe. More latterly this has changed whereby thewomen has taken on a more than powerful and dominant position. sing trefoil a professor of film wrote a book called Men, Women and chainsaw gender and the modern horror film which center on women. She au thuslytic a theory, which changed the way gender is get a lineed upon in horror films. In a lot of slasher films the women ar represented as victims although what interested me is how the womens role has changed in recent eld to what carol medic claimed to be the last daughter. Women countenance been subject to unalike representations throughout time, within the horror genre of which fe antheral sense of hearing con typefacer macrocosmness a sexist image. I pull up stakes be exploring how women are represented in the films mentioned, analysing the eye knife thrusts and comparing this to Carol Clover, and how the roles of women have changed through time. To do this I allow for look at The Hitcher a 2007 remake (Michael Bay production) (Director Dave Meyer) which presents a hand representation of the final daughter. pity Andrews (Sophia Bush) and Jim Halsey (Zachary Knighton) decide to hit the road for spring break. However the film turns from a chick flick to the two of them fighting for their lives and trying to save others. The 1986 maestro is some what different from the remake where there is no final girl and the boyfriend is the only survivor. Dave Meyers wanted to pass water womanish empowerment which is an added crimp to the remake.Female empowerment is also demonstrated in a film series called motto. Directed by James Wan, the plot revolves near fr etsaw Killer who kidnaps his victims, put them in hooks and gives them a meet to repent from their precedent vitalitystyle in which they took for granted. One victim from Saw named Amanda Young (Shawnee Smith) survives the trap and be spots Jigsaw Killer burstner. Amanda is a heroin addict which she started while in prison. She is Jigsaws only known survivor and believes it has made her a better person. This film clearly displays the pistillate role changing from victim to survivor although this film goes against the theory of Carol Clover, in terms that Amanda becomes a murderer.Women throughout horror film history have been stereotyped to victimisation and the focus of poisonous murder. History has seen change from women non existence able to vote to having radical human rights and a high status in society. Feminists have come a tenacious way to changing this stereotype, this being, able to direct films and having the chance to catch a piece of media which affects the w ay people (women) are perceived by an sense of hearing.(Bridget (1999) Without feminism there would have been no final girl or avenging women. This quote shows that even though films much(prenominal) as The Hitcher or send for were not writen, directed or produced by women, feminism has come a long way where women have more power in soceity and is being portrayed in films except as Dave Meyers wanted to create. This is to do with societal change.According to film maker magazine blog, women are now attend the cinema to watch horror films more and are exceeding male figures. Carol Clover questioned who the hearing identifies them with. It is assumed that the male identifies with murderer who is normally male. Many argue that men in the au cave innce are internally aroused by the victimisation of the womanish. This is caused by the tv camera angles and lighting. Murder of the female if cerebrovascular accident from the mens point of medical prognosis Gaze Shot (masculine vo yeur vs distaff victim).Carol Clover argues that the au cloynce identifies with final girl, and that the viewer (male or female) identifies with the shake up of being attacked rather than the satisf personationion of the murderer as he attacks. The final girl remains virginal and pure while her friends do the opposite. She escapes because she does not partake in adult hood such as drugs, and sexual intercourse. The final girl fights back and is the damsel in distress. The unempowered woman makes a movement to power over men.In order to compare Carol Clovers theory to The Hitcher I shall look at 2 jibes from The Hitcher. The early scene opens and the viewer sees aggrandize (Sophie Bush) and Jim (Zachary Knighton) walk to a motel. on that point, they take a consume together and Jim steps out of the room to make a earphone call, telling her that he will be foregone for 15 minutes. Hes gone for several hours and Grace falls asleep watching a Hitchcock film. She is then awakened by someone in the bed who is geting her up. She assumes it is Jim still then sees that it is Ryder (Sean Bean) trying to rape her. She tries to push him away, merely Ryder gets on fade of her. We see his hand over her mouth trying to stop her screaming.The camera shot is high angle which is used to make her look susceptible and power slight. We see her bite Ryder hand and he hits her. The shot is then focused from Grace Eyes also known as point of view shot. When the low angle shot is used it emphasises the power and strength that Ryder has being on top of her. Throughout the scene a master shot is applied whereby the director cut from Ryder to Grace and back to Ryder throughout well-nigh of the scene. This showed the reaction of the two characters and established a clear spatial (space) and impermanent (time) relationship.The audience then sees Grace grab the phone on the side table, of which she then hits him over the head and tries to get off the bed. Grace hits him over the head with the lamp she picks up from the floor and runs to the nates. Grace is trying to shut the approach and the camera is focused mainly on her. hither a stringent up is used. This is to draw the viewer/audience closer and involve them in what is happening. The close up shot also enables the audience to observe the reactions of Ryder and the perceptions of Grace.There are two sorts of lighting being displayed in the scene these are artificial and describe light. The artificial lighting is low key to create a slight shadow on Ryder to make him seem phantom and mysterious scarce as his character is portrayed throughout the film. The key lighting was needed as the scene was shot in the bathroom where there is no natural light available. Grace manages to close the door as she reaches for a blame and Ryder walks out of the room. She then makes her way to beget Jim who she sees tied up between two trucks of which is stretching Jim e really time Ryder accelerates. Through out the whole of the last scene you see her fight for her aliveness and she survives but she becomes extremely abstemious in this next scene when Jims career is on the line.Ryder keeps hitting the gas, brutally hurting Jim and tells Grace to get in and close the door. Grace begs and pleas with Ryder to stop and begins to cry but asks him questions such as what do you want and calls him sick. Her character changes from being strong to being very weak. Ryder says he cant stop and he wants to die. Here the theory of Carol Clover audience identification takes place. The close up shot enables the audience to identify with him or her and clearly the director wanted the scene to be focused on the audience identifying with the female. When focusing on editing of the scene there is a lot of cuts from Grace to Ryder and a two shot in between, this is often used when two people are in conversation. When counting the cut shots, when focused on Ryder they add up to less than 30 while the shot s focused on Grace are over 30.The cops show up and see Grace with Ryder at grinderpoint. They tell her to snitch the gun, but Ryder tells Grace not to listen to them. Ryder then tells her to point the gun between his eyes. Grace cant do it so Ryder does it for her. Ryder then tells her to shoot him, but she cant, puts the gun vote down and says for Ryder not to hurt Jim. Grace shows a sign of femininity whereby she becomes very emotional and shows how much she cares for Jim Throughout the scene the audience can hear Jim moaning and groaning in agony. Ryder then gets impatient and snatches the gun out of her hands. He then mutters under his breath, Useless waste.There is a FX sound effect where the audience can hear a go where the blood explodes outwards to make the audience looking at as pattern they are the experiencing what has just happened to the victim (Jim). Although there is more to this than blood and emotion that makes the scene work, if she shoots him the foot will come off the brake and he will die and if she doesnt he puts his foot on the accelerator and Jim will die. Its a no win situation making you wonder what will be her decision.At the end of the film Grace does shoot and massacre Ryder. Before hand Ryder smiles and asks Grace if it feels good. Grace tells him she doesnt feel a function shoots him and walks away.The analysis has made the theory of Carol Clover more clear in terms of audience identification. Who does the audience identify with and why, are questions Clover asked when watching the slasher films. According to her theory, Carol said that audience identification was down to gender fluidity whereby the male poper was sexually pent-up and whence the male viewer could not identify themselves with them. For example films such as Halloween, Psycho and Nightmare on Elmstreet, all the orcas are sexually repressed and having something wrong mentally. Freddy Kruger (Nightmare on Elmstreet) was the offspring of him being brutall y raped, and Halloween was in receipt to his sister indulging in adulthood. However Ryder is not sexually repressed. Here her theory does not work. I believe that the camera shots and cuts affect who the audience is forced to identify with. The audience (male) was being made to identify themselves with the female (Grace). Whereby there were more cuts of her, the audience had no choice but to see her emotion and hear her plea. At times Grace was isolated and all making the audience only identify with the character they are being shown. I also feel as though the male audience identifies with Grace rather than Ryder because he lacks masculinity and deep down is weak as I will explain. Many times Ryder says he wants to die and for them to annihilate him as he cant do it himself. He makes Grace strong decorous to kill him by killing others. However its of all time a no win situation. It is as if he doesnt want to die alone and is scared. The analysis above demonstrates a no win situa tion.Eric cherry (director is Hitcher 1986) talks about the film in 1986 and states that,Because of the hell living deep down his skin, John Ryder wants to die. But he wants to make Jim Halsey strong enough to kill him and he does. (Eric going Interview)In the 2007 remake, Grace is made strong enough to do this. There is a fellowship between her and the cause of death just like there was a connection between Jim and Ryder in the certain Eric Red says,I really think that this strange psychological connection between The Hitcher and the Kid, the irony that something of value is passed from this horrific guy Ryder to Halsey, strength to stop in a nightmarish world (Eric Red Interview)Looking most at the film, it has made me has made me think about the biography social organization and that although the target victim in cab scene was not a girl Ryder used Jim to get to Grace. Ryder was making Grace even more vulnerable and weak by taking away the man (protector) of her. She t urn up her weakness by not shooting Ryder and letting her boyfriend (Jim) die. This causes the narrative to move on and have Grace as Ryders last victim and for her to be the avenging women/ final girl. The audience does not need to know the killer past, but here the killer is trying to pass what he does and what he feels onto someone else so they can kill as well. This also happens in Saw. Amanda takes on the role of Jigsaw. Ryder many times says he wants to die and for them to kill him, but its always a no win situation. It is as if he doesnt want to die alone. For example the analysis shown above demonstrates a no win situation.Moving on, Clover argued that the final girl fights back just as Grace is doing. Grace is the one who sees everyone die.Final Girl is dog cornered, wounded whom we see scream, stager, and fall, rise, and scream again. She alone looks death in the face, but she alone also finds the strength either to stay with the killer long enough to be rescued (ending A ) or to kill him herself (ending B). (Screams Of Terror)The two different endings are due to the evolution of feminist movement in film. If we look back at one of the first Final Girl films such as in Psycho, Lila figures out the unknown and when Bates attacks her, she is not given the chance to fight back as she is almost immediately rescued. This is ending A. Halloween, Laurie, was the first final girl to fight back (Ending B). Hitcher has ending B whereby the female (Grace) has empowerment to kill Ryder and to be just as strong as a male. This is where gender fluidity of the final girl plays its part. This enables the final girl to be identified by the male audience. She is not too feminine but has masculine traits such as being brave, intellectual and strong. The Final Girl is the one to make it to the end of the film.However I feel as though that her theory has left out an important horizon that females can be crazy and psychotic as men. Urban Legend, Friday the thirteenth and May show that females can be serial killers too. I feel as though her theory is one sided. Urban legend is the result of her boyfriend dying due to few girls carrying out an urban myth. The killer in Friday the 13th is revealed as a middle-aged woman whose son, Jason, drowned years earlier as a consequence of negligence on the part of the camp counselors. The women in these films commit each murder as an act of revenge. However May just like the male according to Clover theory is also sexually dysfunctional. May doesnt understand how to react around others and this frightens people, so the only way she can keep them in her life is by killing them and keeping parts of them to make a full-grown doll. The big doll wont even leave her as a doll isnt real. BibliographyCarol Clover (1992) Men, Women and Chainsaws Gender and the modern horror film, BFI publishingBridget, Cherry (1999) Refusing to look female viewers of the horror film, PublisherThe HitcherSaw 1, 2, 3www.best-horror-movi es.com/female-serial-killer.htmlcomm2.fsu.edu/faculty/comm./sapoisky/research/bookch/slasher.html Mass Media and Society edited by A. Wells and EA Hakanen. 1997. Greenwich, CT Ablex Publishingwww.filmmakermagazine.com/blog/2007/02/female-trouble.php Hitch with Red, Jan. 16, 2007 http//www.joblo.com/arrow/index.php?id=6449 Eric Red Interviewhttp//everything2.com/index.pl?node_id=1775841 Feminist Horror Film Theory Mon Jan 09 2006http//www.screams-of-terror.com/teenie.asp screams of terror 14/2/08